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| Digital Hearing Aids Discussion about Digital Hearing Aids & feel free to share your experiences! |
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#11
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We don't have trials here in my country, so I should be careful before I decide on any aid. Maybe you should try other aids too. I read good things about Starkey here. Try that as well. |
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#12
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Quote:
how they perform in a complex enviroment
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#13
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:P
They were turned on, most definitely. And she wouldn't allow me to walk out of the office. The experience just totally sucked.
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0250.Hz L-15 R-15 0500.Hz L-47 R-48 1000.Hz L-58 R-58 2000.Hz L-55 R-50 3000.Hz L-55 R-45 4000.Hz L-60 R-60 6000.Hz L-55 R-60 8000.Hz L-55 R-55 Reception threshold 45 Discrimination at 75 dB 100% |
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#14
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a: to the cafe next door b: if all is ok, then home for a week or so with the aids ... all 100% free of charge. If they buy fine. If not, we part on good terms and I'll see them or someone from their family sometime in the future.
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My professional details can be found in the 'Contributing Audiologists and Hearing Aid Dispensers' section of the forum |
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#15
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There needs to be more audiologists like you in the world.
I didn't get the impression that the person I worked with cared that I was a filmmaker and worked with sound all the time in my line of work, and didn't care that I knew a lot more about audio and wave forms than the average person. We wound up bickering with each other for 30 minutes while I explained to her why the "top of the line hearing aids" that she tested me out with were horrible. I didn't dare question to see if maybe she had set them up totally wrong. Thanks for your input. I may ask my insurance company to see if I can go elsewhere. Dillon
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0250.Hz L-15 R-15 0500.Hz L-47 R-48 1000.Hz L-58 R-58 2000.Hz L-55 R-50 3000.Hz L-55 R-45 4000.Hz L-60 R-60 6000.Hz L-55 R-60 8000.Hz L-55 R-55 Reception threshold 45 Discrimination at 75 dB 100% Last edited by dillont; 08-31-2009 at 01:16 PM. |
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#16
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this is the best way to do it....
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#17
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I'm disapointed that you had a unpleasant experience with your insurance recommended audi. Rest assured that there are many many more audiologists out there for you.
Did the audiologist make any adjustments to the instrument after your comment with the tinniness? Exelia Arts also have power versions that may help you with the lows with what phonak calls "Bass Boost". |
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#18
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Hi NiChi,
I'm not sure how much leverage I have with my insurance company to try and get to another audiologist / hearing aid dispenser. My insurance company has a "contract" with the vendor, and thus I was sent to them. I didn't get the feeling that the audiologist took a lot of pride and care and understanding in unique hearing situation. I work in filmmaking and work with sound a lot, and thus I need to get as close to the real natural sound of the source as possible (otherwise my sound work is useless). My widex sensos (which are 9 + years old) seem to do a very good job with making sounds natural. When I reported the Exelia Arts had the extremely tinny sound, she said that was just the nature of the phonak hearing aids, and that I should expect that kind of experience from all phonak products. I was astonished at this statement. It felt like the Exelia Art cut off the lower frequencies of my hearing and only retained the upper frequencies, it was a totally dispiriting experience, and I didn't have the guts to ask her if she had actually programmed the hearing aids correctly for my hearing loss. I put in an email to her inquiring about the ReSound Azure (which apparently have more flexibility in modifying the soundscape). I think I may take these for a trial and if they don't work, I'll get to my insurance company and report that the audiologist isn't working for me, and what alternatives do I have. Thanks for your input! Dillon Quote:
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0250.Hz L-15 R-15 0500.Hz L-47 R-48 1000.Hz L-58 R-58 2000.Hz L-55 R-50 3000.Hz L-55 R-45 4000.Hz L-60 R-60 6000.Hz L-55 R-60 8000.Hz L-55 R-55 Reception threshold 45 Discrimination at 75 dB 100% |
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#19
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Another thing: the Widex Senso is famed for sounding 'nice'.
This helps make that first sale ... BUT ... as you say, voices might not come across well! I once test-boxed a Senso ... it seemed to pump out a LOT of bass in comparison to more modern aids. Later Phonak and other models will sound a lot more tinny in comparison ... BUT .. speech comprehension should be better. During my training I was warned that I would come to dread seeing someone coming into the office wearing a Senso : the transition from a Senso to any other model is supposed to be difficult! The big question: do you want 'nice sounding' ... or do you want 'speech clarity'?
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My professional details can be found in the 'Contributing Audiologists and Hearing Aid Dispensers' section of the forum |
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#20
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Thank you very much for your reply with your experience!
My speech comprehension is 100%, so voices are already very clear with my Sensos - but ONLY in quiet environments. The more complicated the environment is, the worse the Sensos perform, they don't get rid of back ground chatter, nor do they have directionality. So I need to keep the broad depth of sound my sensos create (because I'm a filmmaker and I work with sound all the time), and I want to ADD the ability to discern voices much bettre in restaurants / cocktail parties. I understand that the combination of noise reduction and directional microphones is supposed to help with this tremendously, as evidenced by a lot of anecdotal stories told here. Are the modern hearing aids that produce a tinny sound programmable to boost the lower frequencies to give a broader, fuller sound? This is what I love about my sensos so much. Thanks again for your input. I wholly appreciate it. Dillon Quote:
__________________
0250.Hz L-15 R-15 0500.Hz L-47 R-48 1000.Hz L-58 R-58 2000.Hz L-55 R-50 3000.Hz L-55 R-45 4000.Hz L-60 R-60 6000.Hz L-55 R-60 8000.Hz L-55 R-55 Reception threshold 45 Discrimination at 75 dB 100% |
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